{"id":5166,"date":"2026-05-26T13:14:27","date_gmt":"2026-05-26T11:14:27","guid":{"rendered":"https:\/\/fogdakezemalapitvany.hu\/?p=5166"},"modified":"2026-05-26T13:22:44","modified_gmt":"2026-05-26T11:22:44","slug":"art-brut-vilagok-talalkozasa-a-vaszonnal","status":"publish","type":"post","link":"https:\/\/fogdakezemalapitvany.hu\/en\/art-brut-vilagok-talalkozasa-a-vaszonnal\/","title":{"rendered":"ART BRUT \u2013 Worlds Meeting on the Canvas"},"content":{"rendered":"
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What is the purpose of art? One question, many possible answers. Balzac, for example, considered the expression of nature to be the goal of art, while Brecht believed art should shape reality, and L\u00e1szl\u00f3 Tahi T\u00f3th saw the artist\u2019s task in strengthening tolerance. Nietzsche argued that \u201cart exists so that we shall not perish from the truth,\u201d Einstein believed imagination requires no knowledge, while Kundera thought art must create its own story. Among these different perspectives, another question may arise: what role does art play in the life of a person living with an intellectual disability?<\/p>\n

\u201cIntegrated Art at the Highest Level!\u201d<\/b><\/p>\n

In September 2015, a joint project between the Fogd A Kezem Foundation and the Faculty of Arts of the University of P\u00e9cs was launched: a creative seminar series called \u201cArt Brut,\u201d in which the Foundation\u2019s Youngsters living with intellectual disabilities create together with university students.<\/p>\n

The initiative was realized with the support of the Ministry of Human Capacities and the National Disability and Social Policy Centre Public Benefit Nonprofit Ltd., within the framework of the successful grant project entitled \u201cART BRUT \u2013 Integrated Art at the Highest Level!\u201d (see details below).<\/p>\n

Since its launch, the seminars have been organized regularly semester after semester. During these sessions, creative groups of the Foundation\u2019s Youngsters work together with painting and sculpture students from the University of P\u00e9cs under the guidance of the Faculty\u2019s course leader and dr. Bence Zsin DLA to create paintings, drawings, and other artworks.\u00a0<\/span><\/p>\n

The aim of the program is to strengthen the values of openness, acceptance, and mutual care through art and shared community experiences. Beyond helping participants build relationships, the creative process also highlights the possibilities inherent in collaboration and opens a window into another world for both sides.<\/p>\n

But what exactly is \u201cArt Brut\u201d?<\/b><\/p>\n

The term, meaning \u201craw art,\u201d can be traced back to <\/span>Jean Dubuffet<\/span><\/a>one of the defining French painters and sculptors of the 20th century. According to him, \u201cofficial,\u201d academic art had become overly regulated, elitist, and imitative, making it incapable of expressing genuine human experiences. This idea turned his attention toward groups living on the margins of society: he began observing and collecting works created by psychiatric patients, prisoners, and people living in difficult circumstances.\u00a0<\/span><\/p>\n

Although Dubuffet himself <\/span>came from a wealthy bourgeois family<\/span><\/a> and received academic artistic training, he became disillusioned with the world of classical artistic approaches already in the 1920s. He believed that conventions cause art to lose its spontaneity, sincerity, and authenticity.\u00a0<\/span><\/p>\n

When he returned to art in 1942 after a long hiatus, his style was already defined by a new way of thinking. Inspired by visits to Swiss psychiatric institutions, he began assembling a collection of works created by patients, and in 1948 he founded the \u201cCompagnie de l\u2019Art Brut\u201d in order to promote research into the genre.<\/p>\n

The Art Brut movement gradually gained increasing popularity. At first, the unconventional genre spread throughout Europe, and later it also influenced the American art scene. Unlike the dominant classical \u201cisms\u201d of the time, it was <\/span>not confined<\/span><\/a> to a unified style; instead, its aesthetic diversity was connected by the social positions of its creators.\u00a0<\/span><\/p>\n

The name itself is revealing: the rawness of the art lies in the fact that the creator expresses themselves instinctively; everything that takes shape within them is communicated without rules, in its original form. The genre therefore requires neither prior artistic knowledge or skills, nor prestige, status, or professional recognition \u2013 quite the opposite: <\/span>here, those who are otherwise less heard by the world are given a voice.<\/b>.\u00a0<\/span><\/p>\n

\u201e<\/span>\u201cThe more banal something is, the better it suits me,\u201d Dubuffet<\/span><\/i>\u201d, <\/span>said<\/span><\/a> in 1945.<\/span>\u201cFortunately, I do not consider myself exceptional in any respect. In my paintings, I would like to bring back the perspective of an average, everyday person.\u201d<\/span><\/i>This mindset lies at the core of Dubuffet\u2019s Art Brut style: leaving conventions behind in order to return honest human feelings and impressions to the canvas exactly as they are \u2013 sincerely and unfiltered.\u00a0<\/span><\/p>\n

Our Young Artists, Our Artist Youngsters<\/b><\/p>\n

In Hungary as well, several Art Brut-inspired initiatives can be observed, whether in supporting the creative activities of psychiatric patients (e.g. <\/span>Budapest Art Brut Gallery<\/span><\/a>or in organizing artistic programs for people living with intellectual disabilities (e.g. the <\/span>Autistic Art Foundation<\/span><\/a>In addition, creative development and art therapy activities are also present in the daytime care programs of numerous Hungarian support organizations.\u00a0<\/span><\/p>\n

Our Foundation can also be included among these initiatives, where our Youngsters have the opportunity to engage in community-based creative work in several different forms. In our therapy and work home, the Youngsters who spend their days with us participate in five workshops, including ceramics, creative arts, and candle-making workshops, where daily activities revolve around producing our <\/span>products<\/span><\/a> Beyond this, there are also regular opportunities for organized creative programs, ranging from art therapy sessions and photography exhibitions to collaborative painting events with elementary school students.\u00a0<\/span><\/p>\n

The Art Brut program realized together with the Faculty of Arts of the University of P\u00e9cs is one of these opportunities \u2013 and perhaps one of the most special among them: for our Youngsters, not only the creative process itself but also the location (the Zsolnay Cultural Quarter and the area around the Faculty), the presence of university students, and the entire program become a meaningful experience.\u00a0<\/span><\/p>\n

The jointly created works are often later exhibited; examples include the 2019 <\/span>exhibition in Budapest<\/span><\/a>the 2023 exhibition entitled <\/span>\u201e<\/span>Intertwining Worlds<\/span><\/i>\u201d<\/span><\/a> held at the Kemence Gallery in the Zsolnay Cultural Quarter, and the 2024 exhibition <\/span>\u201e<\/span>So That They May Truly See<\/span><\/i>\u201d<\/span><\/a> opened at the Museum Gallery of the Janus Pannonius Museum.\u00a0<\/span><\/p>\n

The approach of Art Brut \u2013 both as a genre and as a seminar series \u2013 can therefore have a positive impact on people living with intellectual disabilities in several ways. It supports their integration into society, helps outsiders understand their perspective, thereby strengthening empathy and acceptance, while also showing that our differences are not disadvantages. That we may also look at these differences in another way: as something that brings us together and from which we can learn. Because <\/span>when two different worlds meet on the canvas, the result can only be something truly special.<\/b>.\u00a0<\/span><\/p>\n

\u00a0<\/p>\n

Project details:<\/span><\/p>\n

Grant code: FOF2019\/44<\/span>
<\/span>Title: ART BRUT \u2013 Integrated Art at the Highest Level!<\/span>
<\/span>Duration: 01.09.2019 \u2013 08.10.2020<\/span>
<\/span>Amount: HUF 2,498,160<\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

What is the purpose of art? One question, many possible answers. Balzac, for example, considered the expression of nature to be the goal of art, while Brecht believed art should shape reality, and L\u00e1szl\u00f3 Tahi T\u00f3th saw the artist\u2019s task in strengthening tolerance. Nietzsche argued that \u201cart exists so that we shall not perish from the truth,\u201d Einstein believed imagination requires no knowledge, while Kundera thought art must create its own story. Among these different perspectives, another question may arise: what role does art play in the life of a person living with an intellectual disability?<\/p>","protected":false},"author":4,"featured_media":5174,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[25],"tags":[],"class_list":["post-5166","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog"],"acf":[],"yoast_head":"\nART BRUT \u2013 Vil\u00e1gok tal\u00e1lkoz\u00e1sa a v\u00e1szonn\u00e1l - Fogd a Kezem Alap\u00edtv\u00e1ny<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fogdakezemalapitvany.hu\/en\/art-brut-vilagok-talalkozasa-a-vaszonnal\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ART BRUT \u2013 Vil\u00e1gok tal\u00e1lkoz\u00e1sa a v\u00e1szonn\u00e1l\" \/>\n<meta property=\"og:description\" content=\"Mi a m\u0171v\u00e9szet c\u00e9lja? 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Egy k\u00e9rd\u00e9s, sokf\u00e9le v\u00e1lasz. Balzac p\u00e9ld\u00e1ul a term\u00e9szet kifejez\u00e9s\u00e9t, m\u00edg Brecht a val\u00f3s\u00e1g form\u00e1l\u00e1s\u00e1t, Tahi T\u00f3th L\u00e1szl\u00f3 pedig a tolerancia er\u0151s\u00edt\u00e9s\u00e9t tekinti a m\u0171v\u00e9sz feladat\u00e1nak. Nietzsche \u00fagy gondolja, \u201ea m\u0171v\u00e9szet az\u00e9rt van, hogy ne pusztuljunk bele az igazs\u00e1gba\u201d, Einstein \u00fagy, hogy a k\u00e9pzel\u0151er\u0151h\u00f6z nincs sz\u00fcks\u00e9g tud\u00e1sra, Kundera pedig \u00fagy, hogy a m\u0171v\u00e9szetnek a saj\u00e1t t\u00f6rt\u00e9net\u00e9t kell megteremtenie. 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